Purchased for its ideal location with an ability to envision a return to sturdy grace and a vernacular style, the Lake District project took a year but resulted in a comfortable and warm family house, tucked away in a quiet valley.
The house had a fine feature - which had attracted Robert - of an untouched, narrow small oak staircase with turned balustrades. Revealed from behind its closed door, to the ground floor which was fully paved in local stone. Stone lintels were discovered and exposed and Delft tile used to great effect in a snug room fireplace.
Seventeenth century panelling, still sporting traces of paint from its last location, formed the end of the drawing room and curtains in original William Morris fabric hang at the windows. The master bedroom’s pattern play began with an Oushak carpet and Italian marriage chest. Turkish indigo covers the bed and an Indian cotton needlework (which inspired the Robert Kime fabric Queen Anne Panel) hangs above it.
A draughty barn was converted to a comfortable library - with bookcases that wrapped around the corners - creating a sense of security and safety. Long tables provided ample space for varied objects grouped together and signature blue and white lamps carry shades of Robert’s design.
Seventeenth century panelling, still sporting traces of paint from its last location, formed the end of the drawing room and curtains in original William Morris fabric hang at the windows. The master bedroom’s pattern play began with an Oushak carpet and Italian marriage chest. Turkish indigo covers the bed and an Indian cotton needlework (which inspired the Robert Kime fabric Queen Anne Panel) hangs above it.
A draughty barn was converted to a comfortable library - with bookcases that wrapped around the corners - creating a sense of security and safety. Long tables provided ample space for varied objects grouped together and signature blue and white lamps carry shades of Robert’s design.